Tomb Raider – Review (PS3)

It’s not often I find myself in a position to make a u-turn on my feelings for a game when I’ve already played some of it and wasn’t keen.

Here’s the main part of my comments on Tomb Raider having played a section at the Eurogamer Expo last September:

“I know I joked about it previously but if you only have an XBox 360 and haven’t played the Uncharted games then you’ll love this. Sadly for me, while it plays well, Tomb Raider is just a clone of Uncharted. Hopefully the story will lift this above that status.”

Perhaps a busy exhibition floor wasn’t the most suitable place to experience the game because within 10 minutes of starting Tomb Raider at home I was impressed.

Graphically the game looks pretty amazing, with good character models and some great lighting and fire effects. Lara’s movement is fairly smooth and animations for both the good guys and enemies are nicely done.

Crystal Dynamics have delivered on their promise of a reboot for Lara Croft. Gone is the Lara of old with the wonky body shape and in her place is a more realistic Lara, both in terms of appearance and character. As a wannabe archaeologist Lara is not a trained hunter/killer and is still wet behind the ears after coming out of college/university.

The opening few hours are definitely the strongest here – Tomb Raider is at its best during tense moments with just one or two enemies. With Lara coming to grips with the fact she’s going to need to do whatever it takes to survive. It’s been talked about a lot but her first kill is handled perfectly.

Unfortunately it doesn’t take long for Lara to start mowing down 10 or 20 enemies at a time. And it jars more here than it does with something like Uncharted. Possibly because of the tone of the game, I’m not sure but I think if they could’ve found a more creative way to deal with this it could’ve made this one of the best games out there.

The answer isn’t immediately apparent – maybe keep adding new enemy types to keep things fresh but keep the fighting to small skirmishes with just one or two enemies. And then keep that 25 enemy fight for the end of the game? Possibly they could’ve incorporated the great optional tomb puzzles as main quests?

Regardless, on a personal level at least, using the bow for the most part (Lara had studied Archery) and guns as a last resort enabled the disconnect to not be too serious for me.

Jason Graves (of Dead Space fame) delivers once again with the score and incidental music – this is one of the better scores I’ve heard this year so far. The voice acting is strong and it’s nice to hear so many different local UK accents in one place!

There will no doubt be the inevitable comparisons between Tomb Raider and Uncharted but I think they are different beasts – for now at least. Lara’s origin story is gritty and harrowing. For the most part she is alone, fighting to get her friends back. Nathan Drake spends a lot of time with Sully/Elena/Chloe and that brings with it the opportunity for a few wisecracks and conversation.

In fact the part of the game that felt like Uncharted-lite was the multiplayer – not bad in any sense but the addition of traps isn’t enough to differentiate this from Naughty Dog’s superb online offering. As I said at the top there, if you only have an XBox then you may love this online as it’s different to most stuff out there on the 360.

Overall though Tomb Raider is a fantastic game. There are a few annoying difficulty spikes here and there but that’s par for the course in most games. Lots of action packed set pieces and climbing/falling moments raise the bar but it’s the quieter moments in Lara’s journey that really struck a chord with me. Considering I wasn’t massively psyched for the game it’s nice to genuinely recommend it as one of 2013′s best offerings so far.

Rating: 9/10

Far Cry 3 – Review (PS3)

Far Cry 3 puts you in the shoes of Jason Brody, a rich kid who is partying with his friends on a tropical paradise island near Bangkok. However, as becomes apparent in the game’s opening, everything is not quite as idyllic as it seems.

With your friends scattered and captured it’s left up to you to try and get everyone together and escape from this hellish nightmare.

Fortunately there are plenty of guns around and lots of armed enemies to take out in the process.

The setting is beautiful and the developers have done a great job of creating a stunning and believable environment for you to mess around in. And mess around you will because Far Cry 3 is positively loaded with things to do in addition to the story missions.

The story itself starts strongly, wavers in the middle and finishes well – though it felt like there were different directions Far Cry 3 could’ve gone in that might’ve been better suited to the early story stuff. I certainly would’ve liked to have seen it take longer for Brody to turn into a frenzied killing machine after his fantastically timid beginnings but having said that, it does fit in with the story stuff that follows.

Enemy AI is ok on the whole, though it has to be said it’s at its best when unscripted emergent events happen – like wild animals rushing in and attacking you and your enemies. Some of those moments were superb and gave the game a real feeling of vitality and freshness.

The missions were good overall and I felt that Far Cry 3 was well paced, aside from a few instances and one particular ‘boss’ battle that felt a little out of place. Mainly due to it’s length rather than it’s place in the story.

Having everything in first person gives the game a nice feel, especially when driving a vehicle. And it says a lot that for the most part I avoided using the fast travel system and would just drive wherever I needed to go.

On your travels you’ll encounter random enemy patrols or wild animals and for me, these were some of the highlights of my playthrough. Likewise capturing enemy bases was always fun and I thoroughly enjoyed the challenge presented by the radio towers you need to activate to unlock chunks of the map.

I did feel the story outstayed it’s welcome a little, possibly trimming an hour or two off the campaign might’ve helped but the characters dreamt up by the developers are pretty awesome and it was nice to see some colourful personalities that were fun to interact with.

Unfortunately during an early mission I experienced several game breaking glitches that meant restarting the mission. Whether it was a game crash, an online connection error that froze the game on the pause screen or something else, it meant redoing the same mission 4 times, which was pretty frustrating. The game also locked up on me a few times beyond that and because of Far Cry 3′s lack of manual save options I lost a fair bit of valuable progress.

I found the multiplayer offering to be pretty robust and good fun. There isn’t anything revolutionary here but it’s solid and will offer further hours of gameplay within the universe. There are also a batch of co-op missions that you can tackle with friends which further boosts your potential playtime.

Overall, after initially being impressed with Far Cry 3 by the end of the game I felt a little let down by the way the story developed. I felt a couple of great characters were wasted and I suppose having enjoyed the opening it just highlighted the disappointment by the time the game ended. Added to that were the technical issues that disrupted my playthrough and it made for a slightly disjointed experience.

Rating: 7/10

Aliens: Colonial Marines – Review (PS3)

Aliens: Colonial Marines has been in development for so many years it almost became a running joke. And then over the last 12 months Gearbox and SEGA really got to grips with the game and showed off some pretty stunning demos at trade events.

Set after the Aliens film and before/during the events of Alien 3, Colonial Marines sees you take control of Cpl. Winter as a group of Marines make their way to the ship U.S.S Sulaco and, later in the game, LV-426 (the planet Aliens takes place on). Their mission is to find and rescue the missing Ripley, Hicks, Newt and Bishop.

So the set up is kind of cool and as someone who loves the second Aliens movie I was really looking forward to finally going on another ‘bug hunt’. Sadly, what follows is a 5 hour trudge through a lot of similar looking corridors with a few open sections to break things up.

Graphically the game just looks like a pale shadow of what was shown before release. Even if that was on a maxed out PC I’d expect the PS3 version to get somewhere close, look at Battlefield 3 for example. Colonial Marines can look good in places but lacks the polish and lighting of the pre-release stuff we saw.

The AI is quite bad and becomes more noticeable in co-op play because on several occasions all the enemies just targeted ‘Player One’, ignoring the other Marines entirely. For a large chunk of the game you’re fighting human soldiers as opposed to Aliens and it’s just not that fun.

My main complaint with Aliens: Colonial Marines is the hit detection on the shooting. So many times I scored a direct hit with the red dot sight, only for it not to register at all. It makes the shooting so frustrating because I never felt fully in control of the weapons.

Sadly this also makes it way over to multiplayer, which is even more infuriating. The amount of times I was killed by another player while spraying bullets into them was ludicrous and made the online side of things a disappointment.

It’s not all bad, it has to be said. The pulse rifle sound effect is fantastic and the blips of the tracker are cool. I do wish they had used that to better effect though. Just a dash of horror in amongst the shooting would’ve been great. Some of the levels were enjoyable but the least said about the return of a character from the film the better.

The characterisation and voice acting doesn’t do the game any favours, with more than one character suddenly having an attack of the ‘Cole Phelps‘ and randomly shouting lines when you’re right next to them. Considering how strongly you care about the characters in the Aliens films it’s disappointing to have no connection with the ones from the game.

Unfortunately somewhere along the line (and the events of that ‘line’ are a hot topic – check out Jim Sterling’s recent post) the game has gone backwards since the gameplay we were shown last year. I don’t ever recall seeing a game look so removed from the demos we saw. I know people always say Killzone 2 didn’t quite match up to it’s initial trailer but at least it was close. And the Aliens demos were GAMEPLAY demos, not rendered trailer footage. See below for a comparison video:

Aliens: Colonial Marines is a serviceable first person shooter with some dodgy hit detection. This is not the Aliens game we wanted or even the one were we shown before release. A massive missed opportunity that could’ve started a series of these games.

Rating: 4/10

The Walking Dead – Review (PS3)

I watched the first TV series of The Walking Dead and really enjoyed it. I liked Telltale Games ‘Back To The Future‘ games but their form has been patchy (their Jurassic Park game was widely panned) so I wasn’t sure what to expect from this game.

Firstly this *isn’t* based on the TV series although it does take place in the same Walking Dead universe as the comics which the TV show is based on. Slightly confusing but the main thing is that this is an entirely different set of characters.

You play as Lee Everett, a university professor. As the game opens you are in the back of the Sheriff’s car on your way to prison for the murder of your wife’s lover. Thankfully for Lee the zombie apocalypse comes at just the right time and you end up having to escape from the cop car to survive.

Soon afterwards Lee meets a 9-year-old girl, Clementine, who is alone because her parents are out of town and her babysitter… well I won’t say any more . Lee takes her under his wing and they try to get somewhere safe and work out what the hell is going on.

The Walking Dead is a point and click adventure game, which means while you’ll have some freedom of movement you’re limited to small areas and different object to interact with.

Mainly you’ll be talking to the other characters and learning about the group of people you’ve ended up banded together with. And this is where the game shines.

Firstly it’s a cast of well written and acted characters. And secondly the writers aren’t afraid to put you in some very difficult situations, usually ending in you having to make a choice that will alienate one of the group. It’s tense stuff and because most the choices have a timer running down, you’ll often feel a sense of panic because you’re being forced to make a call on something quickly when you’d love more time to think it over.

The game has lots of different ways to play out, although the overall narrative remains the same regardless of how you play. At the end of each episode you also get a breakdown of what percentage of other players made the same choices as you. This is a real eye opener at times! Certainly on one choice I presumed everyone would do the same only to discover at the end of the episode I was in a 12% minority!

The biggest compliment I can pay the game is that Clementine is a believable representation of a child. I’ve never seen a child character in a game before that had so many of the nuances and speech patterns of a real child. And I strongly believe that is the reason so many people had such a strong emotional reaction to this game.

Telltale set up the relationship between Lee and Clementine in an identical way to the relationship you have when you have your own child in real life. What I mean by that is that when you bring home your newborn child it can’t fend for itself. It needs your help and support until it becomes strong enough to start looking after itself. Of course the real life bond is much more than can be conveyed in a game but I genuinely believe Telltale have given a lot of people a little taste of what being a parent is like. If you don’t believe me (and have finished the game – beware spoilers if not) check out the huge amounts of #ForClementine hashtags on Twitter!

The game was released in episode format over the course of months rather than weeks. I picked up the bundle before Christmas and I’d recommend doing the same at this stage – I believe the first episode is available free as a demo. If you haven’t played it you should definitely check it out. I would’ve loved to have experienced it spread out, for season two I will do just that.

The Walking Dead isn’t perfect. I encountered a glitch at one stage whereby I couldn’t continue the game. My character essentially fell through the train he was supposed to be on every time I went through a specific door. Thankfully a reset and reload solved the problem but I’ve heard of some people having other problems as well. Nothing major though and when the story is this good it’s easy to forgive the odd issue here and there.

Overall, I can’t praise this game enough. It’s a different style of game to the stuff I would usually play but through the excellent characters and writing, Telltale have delivered an emotionally charged and superbly crafted story that will likely leave you with a lot more emotional baggage than when you started. Play it. Now.

Rating: 10/10

Enslaved: Odyssey To The West – Review (PS3)

I was a bit late to the party on Enslaved. The game came out in late 2010 and I picked it up last Summer but only got around to playing it during the festive break.

Developers Ninja Theory have a good track record with story based games (they also made the excellent Heavenly Sword) and they don’t disappoint here.

Based on the old Chinese novel ‘Journey to the West’ by Wu Cheng’en, Enslaved tells the story of Monkey and Trip as they make their way across a devastated World. After managing to escape from a ‘slaver’ ship Monkey awakes to find Trip has attached a ‘slave headband’ to him and he must do as she commands. If he doesn’t do as she says, goes too far away from Trip or Trip herself dies then the headband will inflict pain or even kill Monkey.

Set 150 years into the future following a global war, mechs now prowl the lands – still carrying out their programming to eliminate humans despite the fact there are almost no people left out in the wild.

The game is gorgeous with the wonderfully overgrown cities sprouting plants and wildlife. The characters themselves are rendered and motion captured superbly, carrying on the sterling work Ninja Theory started with Heavenly Sword.

You’ll be doing a lot of Uncharted-style climbing because Monkey’s agility means he can get to places Trip can’t. The combat is better than average but doesn’t stand up to something like Batman or Sleeping Dogs – possibly a little bit of an unfair comparison as the game came out so long ago.

While you don’t control Trip directly, you have a radial wheel to issue her commands (pretty ironic really considering the slave headband situation). Simple things like ‘move’, ‘press switch’ and ‘distract’ mean this is never too complex and can help you out of some tricky situations.

I’m not familiar with the original novel so I can’t comment on how closely the game follows the book (aside from a shift in time: the novel is set in ancient China). I enjoyed the story though and thought the characters were really well rounded and very well acted. Andy Serkis (Monkey) and Lindsey Shaw (Trip) derserve some praise for helping to bring the characters to life.

There were a few issues with the balance of gameplay – some of the fights felt like they went on too long but at least the game checkpoints during most of these battles. There’s a tricky chase scene that caused me some grief because it required some *very* accurate positioning.

My main complaint was the last boss – you fight through it in different stages and once you beat it you get a small cut-scene and then have to run over to a platform and press circle to kill it off and end the game. Sadly the game doesn’t checkpoint here so if you die you have to start the 15 minute process all over again. Particularly trying if you die on that last bit three times like I did!

Despite those issues, Enslaved is a really good game and definitely an enjoyable third person action adventure. It’s not quite up there with the Uncharted series or Red Dead Redemption but it can hold it’s own among the others in the genre. You can probably pick this up really cheap now and I you see it I’d recommend taking a chance on it.

Rating: 8/10

Dishonored – Review (PS3)

Dishonored puts you in the shoes of Corvo Attano – Royal Protector (Bodyguard) of Empress Jessamine Kaldwin. You arrive back from a trip abroad investigating potential cures for the plague that is ravaging your city, only to find yourself framed for the murder of the Empress and thrown in jail.

As you escape, try to clear your name and find Emily, the Empress’ daughter, you’ll take on the role of assassin rather than protector. Corvo receives a boost of supernatural proportions which allows you to unlock various powers, such as freezing time, teleporting or possessing enemies.

Sadly this array of powers leads to one of the more confusing aspects of the game design – the second ‘tier’ of these powers is so steep in cost that if you choose to back one power you will miss out on lots of the others. So you’ll need to make that choice early on or spend an extended amount of time during the game to find the runes scattered about the level.

I understand wanting to keep a reign on the player’s power so they don’t just get everything too early in the game but I felt disappointed that I didn’t get a chance to try out some of the powers at all because of my choice of levelling up one power. I do see that they don’t want it to be too easy but I genuinely feel all the powers at the lowest level should have been unlocked during the story playthrough.

My gripe with power design aside, Dishonored is pretty good fun. Depending on the powers available to you and your approach to the missions (in terms of where/how you get into buildings/areas etc) you can have some varied playthroughs. Add to that the numerous ways you can kill characters (or non-lethally complete the missions) and the chances are you and your friends will have all completed the same mission in a different way.

The game also features a morality meter of sorts in it’s ‘Chaos’ system. The more people you kill, the higher the Chaos rating per mission. This accumulates over missions and eventually contributes to which of the three game endings you’ll get. However it should be noted that Dishonored’s endings are more in line with Bioshock 2′s subtlety different endings as opposed to something with drastic changes likes Heavy Rain.

While the game has a strong graphical style I actually wasn’t overly impressed with the visuals themselves. Some of the water effects didn’t look that great and on occasion the game just didn’t look as sharp as I would’ve expected. The style of the game is a positive though, despite those graphical issues.

Dishonored looked like being one of the freshest, inventive games of the year – unfortunately the design choice of not allowing you to unlock more on your first playthrough hinders things somewhat. It’s a good, solid, rewarding experience but I was just left feeling it could have been so much more.

Rating: 7/10

Spec Ops: The Line – Review (PS3)

Once in a while a game will show up out of the blue and knock your socks off. Spec Ops: The Line is one of those games but maybe not for the reasons you might think.

Spec Ops: The Line tells the story of Captain Martin Walker, a soldier who is part of a squad sent into Dubai to investigate the failed evacuation of citizens by an army squad called ‘The 33rd.’ As things quickly unravel you find yourself under attack from all directions and hampered by the constant threat of sandstorms.

You see this isn’t present day Dubai but an alternate version in which the country has been decimated by sandstorms that have left thousands stranded and desperate behind the ‘Storm Wall’ – a huge permanent sandstorm that has disrupted communication and stopped travel in (or out) of the area.

I won’t spoil the story for you here as it is the best thing about the game – this isn’t a title you’ll come out of brimming with joy and with a smile on your face but it really is one of the best stories I’ve played through in the last few years. And while a couple of the twists were a touch obvious, for the most part I didn’t anticipate many of them.

The gameplay itself is solid but unspectacular and you’ll spend a lot of time in cover popping out to take down enemies. One thing I liked about the game was the feel of the weapons, with some of the more powerful ones genuinely delivering an appropriate sense of recoil and a real kick.

The setting is pretty stunning and the sand tech is well realised. I was personally more impressed with the way the game portrayed the intense heat of the environment, with harsh sunlight and a nice shimmer on surroundings.

Speaking of the sand, one of the game mechanics they showed off lots in pre-release media was the ability to shoot out windows/glass roofs to take out enemies. However in the final product that is all fairly scripted stuff and doesn’t factor in greatly.

A quick shout out is needed on the music front as I felt Spec Ops really delivered on that note. A great soundtrack and paced perfectly. Also the voice acting is superb. I thought it might be an issue having Nolan North (of Nathan Drake/Uncharted fame) in the lead role but after the first 20 minutes or so I completely forgot he was even voicing the character.

The game is fairly tough and isn’t afraid to throw a large number of difficult to deal with enemies at you all at once. My main gripe with the combat was the enemy grenades. They felt too overpowered and I didn’t think the game did enough to warn me when they were nearby, or maybe more accurately it didn’t warn me quickly enough. I died a lot of times unnecessarily because of that.

Spec Ops makes a comment on the shooter genre, taking several pot shots during loading screens and differentiates itself from games like Call Of Duty and Battlefield by giving you several ‘moral’ choices during the story. Unlike games such as Infamous, where the choice is simply good or bad, in Spec Ops you’re choosing between bad or bad. There is no right or wrong answer. So who do you punish? Who do you sacrifice? I would love to see more games give you this kind of choice as opposed to the more straight forward options we usually get.

Another great addition in this game is the degradation of your character and squad over the course of the game. This is something that I can’t believe hasn’t been done before in this genre. The Batman games attempted something similar in terms of Batman’s appearance changing during the game but here, as well as physical changes, you and your squad take a psychological battering as well.

Late in the game, when your character finally takes down a heavy enemy and screams an expletive he is echoing the cry of gamers across the globe when defeating a tough enemy. Even reloading calls are shouted through gritted teeth further on in the game. It just makes the game feel incredibly visceral.

I didn’t touch the multiplayer as even the developers have said it was forced upon them by the publisher and brings nothing to the table. This is a game that *definitely* didn’t need multiplayer.

Spec Ops: The Line might not be for everyone and the gameplay might not be anything special but it has a great, interesting story and makes a decent comment on today’s shooter genre.

Rating: 9/10

NB. If you do play and finish the game I’d strongly recommend checking out this interview with the writer of the game (contains massive spoilers): GAMESPOT INTERVIEW

Eurogamer Expo 2012

So Friday saw the Eurogamer Expo hit Earls Court in London again. I went along to check out some of the titles we can look forward to playing in the next 6 months or so.

Unfortunately I have to begin by saying, as always, there were a few queues that were just too large to wait in. The biggest were Assassin’s Creed III, Hitman Absolution, Resident Evil 6 and Call Of Duty: Black Ops II.

I guess when time is limited it boiled down to one simple fact; I know I will be playing all of those games. For me they are all titles I am sure to pick up, so queuing for an hour to play them seems like madness!

Anyway, there was plenty of other stuff to play at the Expo, so here we go:

.

TOMB RAIDER

Eidos have been doing a lot of work pushing this game recently and highlighting how it’s a reboot of the series in the same vein as the recent Batman films. I know I joked about it previously but if you only have an XBox 360 and haven’t played the Uncharted games then you’ll love this. Sadly for me, while it plays well, Tomb Raider is just a clone of Uncharted. Hopefully the story will lift this above that status.

.

DISHONORED

Dishonored is one of those games that is very difficult to judge from playing at an event like this. Set in a steampunk world you play as a wronged man who uses his various skills (possession/slowing down time etc) to get his own back. Unfortunately being dropped into the game at a random point and without much guidance, I promptly forgot all about the powers and just used the crossbow and knife. I enjoyed playing it though and it should be a great game when you get it on your PS3 in the comfort of your own home.

.

ALIENS: COLONIAL MARINES

While I’m more interested in the story of this game, it was the multiplayer that was hands on today. Setting Marines against Aliens isn’t the most original premise but it was well handled and the one button press to bring up your motion tracker was slick and effective. I did find it a bit tough at times but I think that might also have been down to the fact it was Sega staff controlling the Aliens!

.

GOD OF WAR: ASCENSION

In a neat reverse of Colonial Marines I bypassed the single player demo for this (I’ve enjoyed bashing square and triangle for all the previous games so I don’t need to go through that at an Expo) and headed straight for multiplayer. Having little to no interest in this I wasn’t expecting much. What I found however was a fun, engrossing brawler-type of affair. Still not sure how much I’d play this long term but I will certainly dip in after finishing the campaign.

.

NEED FOR SPEED: MOST WANTED

I’ve been looking forward to this game (and the accompanying Vita version – absent today) for months. The switch to a more Burnout style open world driving game is welcome and it looks like it’ll be insane fun online. The steering was a bit loose but once you got used to that it was a blast.

.

MEDAL OF HONOR: WARFIGHTER

Again, another game I’m more interested in the single player of but we battened down the hatches and got some multiplayer on. This was mostly enjoyable, certainly miles better than the last Medal Of Honor’s terrible online. Warfighter straddles the online gap between Call Of Duty and Battlefield. Perfect for it’s target audience but not one for me. I am looking forward to the campaign though as I thought the last one was pretty good.

.

GRID 2

Ah GRID. If you follow me on Twitter you might have seen me squeeing with excitement when they announced this was coming out next year. The original GRID was one of my favourite driving games ever and GRID 2 didn’t disappoint. It looked gorgeous and handled like a dream. Everything I hoped it would be. And certainly the most impressive game I played today.

* ‘GRID 2′ : GREGHORRORSHOW’S BEST IN SHOW – Eurogamer Expo 2012*

.

METAL GEAR RISING: REVENGEANCE

As disappointed as I am that Bayonetta 2 isn’t coming to PS3, this game (from the same developer) looks set to more than fill the gap. A mix of Bayonetta and Vanquish, Revengeance is NOT the Metal Gear you know and love. Raiden is the main character rather than Snake and he is a frantic cyborg killing machine. Revengeance has no need for stealth, you just kill everything A lack of direction stifled things somewhat but overall most enjoyable.

.

FIFA 13 (Vita)

I was hoping to see some pretty big changes in FIFA this year on the Vita. The game available at release was a (good) port of the PS3 FIFA 11 engine. It didn’t feature some of the new AI stuff from FIFA 12 and so I hoped some of those features might make their way into FIFA 13. Sadly from what I could gather in the time I played it seems to be almost the exact same game barring some cosmetic changes. Still the best football game around for a handheld device but if you already have FIFA for Vita you might be better off sticking with that.

.

ASSASSIN’S CREED: LIBERATION (Vita)

I finally got my hands on the forthcoming Vita Assassin’s Creed game and I have to say I was mightily impressed. Graphically the game looks great, although the main character Aveline does have a touch of the ‘crazy eyes’ if you get in too close Overall I’m impressed – the animation looked smooth and there was a solid fidelity to the graphics of the environment and a decent draw distance as well. Can’t wait for this now.

.

FAR CRY 3

Far Cry 3 had a pretty substantial queue to play it but fortunately when you sat down with the game you were given 10/15 mins to just get on with it. I really enjoyed this and thought it could be a game I’d plough a decent amount of time into. The demo dropped you in the middle of the island and allowed you a fair amount of freedom. I didn’t do a great deal of story stuff – but had an action packed playthrough in which I began crafting my own mini story within the fiction. That’s always a good sign. Did see a few crazy glitches (characters suddenly zooming across the screen/flying etc) but this is early code so hopefully they will be ironed out before release.

.

PLAYSTATION ALL STARS: BATTLE ROYALE

I’ve never played Super Smash Brothers, the Nintendo game All Stars (apparently) borrows heavily from. I’d read quite a bit about All Stars and seen some character reveals/trailers but nothing had really interested me that much. I’m not big into fighting games and this looked like it might be too complex for me. However I have to say I thoroughly enjoyed the round we played. There is a real depth to the game in terms of moves/control that is there if you want it but alternatively you can just use the face buttons and directions to pull off whatever moves take your fancy. I was almost reluctant to pick up the pad and play it but I walked away impressed & with a smile on my face.

* ‘PLAYSTATION ALL STARS: BATTLE ROYALE’ : GREGHORRORSHOW’S MOST PLEASANT SURPRISE – Eurogamer Expo 2012 *

.

LOST PLANET 3

After waiting for what seemed to be an eternity for the guy on the console in front of me to stop playing (seriously – how long can one man die against the same enemy before letting someone else have a go?) I sat down and got some time with Lost Planet 3. Coming across to me as Dead Space in the snow (and without the horror) it certainly wasn’t a bad game. Some of the aesthetic seemed to ripped straight from EA’s game (unless EA stole it from an earlier Lost Planet game?) but I’m still not sure how much fun it was to just hold the trigger and pump the bigger creatures with bullets. Having said that my time was slightly hampered by the fact there was no option to invert the Y Axis on my demo pod :angry:

—————————————————————————————————————–

So that’s the games and after all that I would like comment on how well run the whole thing was. Having people walk through the crowd while we were queuing to scan our tickets and give out the relevant wristbands was a stroke of genius and genuinely saved about 15 minutes of queuing time compared to last year. When the doors opened at 10am we went straight in. Great stuff.

Overall Eurogamer Expo 2012 was a little muted for me personally. There wasn’t one particular game I was desperate to play – perhaps that is tied to the fact we’re nearing the end of the console cycle? However I enjoyed everything I played and even liked a few titles I might not have otherwise bothered playing.

.

The Darkness II – Review (PS3)

I didn’t play the original Darkness game, though I heard mainly positive things about it. It happened to come along at a time when I was snowed under with other games and it was one of the titles to get left behind.

There were some questions regarding the sequel as it was handed to a different developer (Digital Extremes) and people were wondering whether they could capture the spirit of the first game and comic book series.

Jackie Estacado is once again the main character of the game and following the events of the previous title he now finds himself as ‘Don’ of the Franchetti family. The Darkness II is set two years after the last game and Jackie has been doing a great job of keeping the ‘Darkness’ (a hugely powerful supernatural presence) under wraps.

As the game kicks off, with a wonderful opening sequence, Jackie finds himself close to death and releases the Darkness once more – dealing devastating damage to his enemies and allowing him to recover quickly from his injuries. From there on out you’ll guide Jackie through various scrapes and even make some choices that can affect the outcome of the game.

The Darkness II plays like your average first person shooter… right up until the moment your release the Darkness. The power manifests itself as two demon snake-like tentacles. Controlled with L2 and R2 (L2 to grab an enemy, R2 to swipe an attack at them) this means you have twice as much firepower as usual and can hand out some serious beatings to the onslaught of enemy thugs.

Although it sounds like a lot to concentrate on, it soon becomes second nature to grab an enemy with the Darkness and use one of the face buttons to rip him in half, all the while shooting at other enemies using R1. Pressing a face button while an enemy is grabbed will activate an execution animation which, depending on the button, will net you a health bonus, more ammo or a piece of the enemy as a shield While the animations are limited I personally didn’t tire of them at all.

This could be down to the fantastic cell shaded art style which gives everything a great sense of sharpness. The Darkness II looks amazing and manages to keep things running smoothly, even at particularily hectic moments.

The story is well told and I think one of the more interesting campaigns I’ve played so far this year. I really liked the characters and while the end of the game wasn’t exactly a massive surprise it made sure you’ll be hooked for a third title if they make one.

One of my few complaints was that in the final third it felt like the game ran out of ideas. The steady stream of new, different enemies gave way to just more of the same enemies. One particular fire fight went on for far too long simply because the game was hurling enemies at me left, right and centre – not in a challenging way, in a frustrating way.

Unfortunately it slightly soured the overall experience for me as I felt, in the end, the game was probably an hour or so longer than it needed to be. Cut a few of those elongated fire fights out and the campaign would’ve been nearly perfect.

I could go into more detail regarding the story but I don’t want to give anything away for those yet to play it. Needless to say it does some very interesting things and makes you question exactly what Jackie is doing.

The Darkness II is a hidden gem in the game releases of 2012, I’d recommend you unleash your inner darkness and give this one a shot.

Rating: 8/10

Resident Evil: Operation Raccoon City – Review (PS3)

The premise of Operation Raccoon City is a great one – you’re a team of operatives that work for Umbrella, the evil corporation at the heart of all the trouble caused in the Resident Evil universe. So for one thing you’re seeing the universe from the other side for a change, add in the fact this is all taking place alongside the events of Resident Evils 2 & 3 and you have something full of promise.

The setting is pretty cool, obviously this isn’t the first time we’ve seen Raccoon City but the developers do a good job of bringing it (back) to life and it was interesting to see the more open, chaotic side of the virus outbreak as opposed to the tight corridors etc the genre usually introduces. Of course there are also enclosed environments but these were your standard internal locales.

Graphically the game wasn’t great – it certainly wasn’t terrible but no boundaries were being pushed here. That’s not a bad thing necessarily, it just meant having played games recently like Max Payne 3 and Mass Effect 3 that excelled graphically, Operation Raccoon City looked pretty flat in comparison.

One of the biggest pluses for me alongside the story was the soundtrack, which helped drag you in during intense moments. Sound effects in general and the voicework for the characters weren’t great though, which was a shame.

The game can be played as 4 player co-op although I’m not really sure how much this would really add to the experience. I already felt like I was doing the lions share of the work when playing on my own and not enjoying it massively, so would doing less be better or make it more boring? I guess it would depend on who you were playing with – regardless it’s nice to have the option.

The combat wasn’t great, with shooting in particular feeling slightly off. I couldn’t really put my finger on exactly what the issue was but it made for some frustrating gun battles. The melee combat was ok but if you get overrun it’ll likely be game over.

I like the idea of becoming infected if you get bitten but the mechanic here is simply ‘find and use a blue potion to cure yourself’ within the next 20 seconds or die. I would’ve much preferred them to explore a path whereby if you get bitten it can last for a few levels before you fully succumb to it – maybe give your character a slight shake as they aim that gets worse over time until you’re cured. Or have enemies appear that aren’t there as you unravel. I think it sums up the entire game that with all that potential the developers went with the easiest out.

As well as Zombies you’ll be facing off against special forces operatives (for story reasons that I won’t divulge) and these guys can be a real pain in the ass. Their AI seems to be much better than your team mates and at times I felt the game just threw loads of the special forces guys at you to lengthen some of the gun fights.

Overall then Operation Raccoon City is a great idea executed poorly. There were a few excellent moments but they don’t do enough to make this a must-play. Fans of the series will no doubt enjoy the crossover and nods to Resident Evil lore but the whole time I was playing the game I just couldn’t get over how stale it felt. Not bad, not good just… average.

Rating: 5/10