GregHorrorShow’s Year In Gaming 2020

As we ease ourselves into 2021, it’s a great time to reflect on the last year of gaming. As always this isn’t a piece about the games that came out in 2020 but the titles I played throughout the year.

Starting with some older titles, I finally picked up and made a start on the excellent Celeste, a challenging puzzle/platformer with a wonderful art style/music. I really enjoyed Absolver, a title that lets you customise your fighting style/stance as you progress through the game. Exploring the game world was peaceful and it was another game with a decent sense of challenge. I’d had my eye on Dex for a while, an old school looking Cyberpunk RPG title – while I’m far from finishing it, I’d recommend giving it a whirl if you like that genre.

Erica is a title that is all film footage, you make your choice of what to do and the next scene plays until you get to the end of the story. I quite enjoyed it, although there seemed to be a fair few plot holes unfortunately. Close To The Sun tells the story of Rose Archer, a journalist searching for her sister on a vast ship. It’s 1897 and set in an alternate universe where Telsa and Edison are vying for dominance of the science world. It’s essentially a first person horror title with some neat jump scares and tricks up its sleeve. Again the story ended up with some gaping plot holes but it was a fun 8-10 hours. A game I adored was Sayonara Wild Hearts, a rhythm action game with a killer synth pop soundtrack. Highly recommended.

Last year I also ended up doing something I rarely do, replaying old games – or at least the remastered versions. I played through Uncharted: Drake’s Fortune (which was a great walk down memory lane) and Call Of Duty: Modern Warfare 2 (which had some fun moments but didn’t really do it for me). A title that came packed in with the PS5 was Astro’s Playroom, a love letter to the PlayStation brand and stellar showcase of the new PS5 controller. This is one of my highlights of the year, such fun and a lovely look back at the previous four PlayStation generations.

PES 2021 was a minor update to the series but the gameplay remains strong and I got into NBA 2K20 as well via PlayStation Plus. Dirt 5 was, without doubt, the best feeling racer I’ve played in the last few years and the free PS5 upgrade was a great touch.

On the multiplayer front I tried HyperScape, Ubisoft’s battle royale offering, but it didn’t really stick for me. I was happy to switch between Call Of Duty: Warzone and Fortnite for my fix of large numbers of players jumping out of planes. I stuck a fair bit of time into Red Dead Online, the recently added character specialisations (I went for nature photographer) bring some new life to the game beyond just wild west shoot outs.

In terms of ongoing games Overwatch, Rainbow Six Siege, Rocket League, Battlefield V and Destiny 2 all kept things ticking along nicely by either running regular events or giving the entire game a fresh lick of paint. All remain immensely playable and highly recommendable, especially as they still have high player counts and it’s easy/quick to get into a match.

But my favourite multiplayer game of 2020 has to be Fall Guys. Out of nowhere came this insane bundle of joy. Mixing a battle royale format with ‘It’s a knockout’ style games was a winning recipe. I am still yet to claim a show victory, despite my best efforts, but Fall Guys is a title I’ll no doubt return to again and again.

In terms of bigger, longer games I really liked A Plague Tale: Innocence – the story of a brother and sister trying to escape the clutches of the Inquisition that also has a supernatural twist. Dishonored: Death Of The Outsider is definitely substantial enough to be considered stand alone, in my opinion. A great story well told and another excuse to visit one of the most stylish game worlds of recent times. I’ve only recently started The Outer Worlds but after 8 or so hours I’m really enjoying it so far!

Unfortunately, while I was loving Assassin’s Creed: Odyssey finding out I was only halfway through when 35 hours into it meant my playthrough ended there. I had been ready for things to wrap up but couldn’t face another huge chunk of time, sadly. I recently started Ghost Of Tsushima (on PS5) and it is a glorious looking game. I like the way it plays and am finding roaming the game world to be quite laid back. I’m also playing it with the Japanese language option, which is cool. So far, it’s a great game.

One huge title I did finish was Death Stranding. While I think it was 3 or 4 hours too long, the story was nonsensical and some of the dialogue was not great, I did actually really enjoy it. Traversing the world and exploring was fun and fairly peaceful. Walking everywhere didn’t seem too much of an issue when played in short bursts of a couple of hours. I’m interested to see what Kojima comes up with next.

Which brings us to the title I’ve given my game of the year award to – The Last Of Us Part II. Expectations were high for this one, the first game is a masterpiece in my eyes and so there were questions as to whether Naughty Dog could deliver. Deliver they did, in terms of story, gameplay and technical achievement. I haven’t played many games like this where you are forced into making bad choices or doing bad things by the characters. You’re complicit with each button press. This isn’t a fun, easy play. The violence is brutal and at one late stage in the game I had to take a break from what was going on. Despite all that it was well worth seeing it through. Without a doubt one of the best games I’ve ever played.

And so there you have it. 2020 in a nutshell – mentions must go to Spiderman: Miles Morales, Bugsnax and Sackboy: A Big Adventure, unfortunately I simply didn’t get time to put enough hours in with them for consideration here. I’m sure they will be here next year 🙂

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GregHorrorShow’s Non Gaming 2020 Round Up

I’m kicking off my round up of the year that was 2020 with a look at all things non-gaming, the gaming round up will land early in the new year!

I was lucky enough to use some of my extra time at home from not commuting to plough through lots of books, mainly over the summer months. In terms of fiction I particularly enjoyed Before The Coffee Gets Cold by Toshikazu Kawaguchi, a wonderful time travel story, Call For The Dead by John le Carre, an old school mystery thriller and Kitchen by Banana Yoshimoto, a touching tale of loss and grief. The second Black Prism book, The Blinding Knife by Brent Weeks was also a novel I enjoyed – coming in at over 700 pages meant it was a hefty read though!

On the graphic novel front I really liked the 4th instalment of Lumberjanes by Noelle Stevenson, The Last Of Us: American Dreams by Druckmann/Hicks and Vox Machina: Origins by Mercer/Colville. However my absolute highlight was Paper Girls (Vol. 2 & 3), which might be one of my favourite graphic novel series ever. The story continues as the four paper girls meet future selves and travel through time – I imagine it won’t be long until this gets made into a TV show.

I read a lot of factual books as well in 2020. Spotify Teardown was an interesting, if dry, look at what makes the streaming giant tick and I really liked Ed Catmull’s Creativity Inc, a look inside how Pixar works and the best ways to work in a creative environment. Rockonomics by Alan Krueger was a brilliant look at the music industry and everything in it while my favourite book this year, EMI: Selling The Pig by Eamonn Forde, focuses solely on the troubled times of the legendary record label EMI before it was acquired a few years back. Fascinating stuff for music buffs.

As usual I have a playlist of some of my favourite tracks from the year, embedded below:

In terms of big artists it was hard to avoid Dua Lipa or Billie Eilish during 2020, with both delivering a great run of singles. Blackpink continued their dominance of the pop scene with tracks that included duets with Lady Gaga and Selena Gomez. Taylor Swift dropped two excellent albums within months of each other to remind everyone why she is one of the biggest, and best, pop stars in the world.

It was brilliant to see Haim back with another superb album and very early in the year The Big Moon released a fantastic album after some really great singles last year. Celeste was everywhere and for good reason, she is an amazing artist with a wonderful voice and we also saw a new album from Disclosure that had a host of bangers on, along with some brilliant vocal guests.

I discovered some awesome new artists in 2020 – Baby Rose, Gracey, Bree Runway and Tiana Blake all had a big impact and Chelsea Cutler‘s debut album was a huge highlight during a tough year. However my album of the year goes to Kelly Lee Owens for ‘Inner Song.’ What an amazing collection of songs, On, Melt!, Re-Wild – I could probably just list them all as high points. It sounds familiar but fresh, a most enjoyable listen!

I didn’t see a huge amount of new films this year, as we spent a lot of time as a family rewatching old classics (Bill & Ted, Sister Act, The Goonies etc.), but I loved The Go-Go’s and Motown Records documentaries. Both were brilliant looks at legendary performers and the Motown one was packed with stories about famous songs and artists. A great watch. One film that really had an impact was the excellent Rocks, the story of a young girl and her brother surviving in London after their mother leaves them alone. Trolls 2, Onward, Jumanji 2 and Spies In Disguise were all fun kids films and for the festive season we found some new holiday classics in the shape of Christmas Chronicles 2, Noelle and Jingle Jangle. My film of the year though was one that I actually didn’t have high expectations for – Enola Holmes came highly recommended via Netflix and ended up being a really smart, well written film that all the family enjoyed.

There was so much new TV arriving during the year that I feel bad about the amount of programmes I started but didn’t get through the season – I really liked The Comey Rule, The Mandolorian, The Pale Horse, The Queen’s Gambit and Devs but never made it all the way through. I’m sure I’ll return to them at some stage. We enjoyed Glitch Techs and Fast & Furious: Spy Racers with the kids but it was the Netflix trinity of She Ra, Carmen Sandiego and Kipo & The Age Of Wonderbeasts that really got the majority of family view time. All three of those are excellent, which work on various levels for both the adults and the kids.

DC’s Legends Of Tomorrow and Umbrella Academy provided some much needed superhero escapism, while The Inbetween and Evil brought the scares. Evil has been great so far and while The Inbetween isn’t up to that standard it does have my favourite scenery chewer Paul Blackthorne (Laurel!) so it’s not all bad. I really enjoyed Small Axe: Mangrove, an important show and a difficult watch but much needed during these times.

Blood and Treasure was continent hopping nonsense but good fun and Stumptown showed us the life of a struggling P.I, unfortunately the show was renewed but then cancelled due to the pandemic. I enjoyed Miss Scarlet & The Duke, a sort of historical Murder She Wrote with a new crime each week. The Rookie was back again and delivered some tense thrills and lots of warm hearted fun. Looking forward to seeing where they take things in the next season.

My favourite show of the year though, was Blindspot. Something I could sit and watch with a smile on my face and just enjoy. Is it a ridiculous premise? Even more so as time has gone on but the writing is fun and it’s fast paced with enough action and laughs to sustain every episode. And that’s exactly what I needed during this year. (Also can we get some sort of a Patterson/Rich DotCom spin off please?!)

So there we go, a weird and wild year in the rear view – hopefully better times ahead in 2021.

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