50 Cent: Blood On The Sand – Review (PS3)


I’m not a 50 Cent fan, like a few of his tracks but never bought an album or anything. So wasn’t sure what to make of Blood On The Sand – especially as his previous game, Bulletproof, was widely condemned as poor.

The story of Blood On The Sand is one of the most ridiculous I’ve ever heard but I suppose is in keeping with the hip hop/rap fantasy these guys peddle.

Fiddy performs a concert in the Middle East but the promoter claims not to have the agreed fee afterwards. Luckily he has a rare diamond encrusted skull instead which Fiddy accepts. Then they get ambushed and the skull is stolen by a militia group. You are then tasked with killing lots of people to retrieve the skull. Yes, really. πŸ˜•

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While all this is of course pure nonsense, the game itself is actually very playable. A pleasant surprise, as I was expecting something akin to Terminator Salvation with rappers shouting.

I got rappers shouting (there is even a taunt button for Fiddy to use) but the gameplay here was more similar to The Bourne Conspiracy – it even features (more violent) takedowns.

The main story mode clocks in at around 6/7 hours which, although a touch short, isn’t too bad.

It’s not too taxing a game, more of a run and gun than a tactical shooter. There are a few frustrating parts but overall the game is fairly well balanced.

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Blood On The Sand is not something I’ll ever play again or really recommend to friends. It was a good laugh and if you’re stuck for something to play this is worth a rent.

A surprise then, one of those rare occasions where a game is actually quite a bit better than you thought it would be. It might not be a world beater but it caters to it’s audience and is accessible for everyone who plays it.

Rating: 6/10

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La Roux Tear Up Koko


Being a jaded music industry cynic πŸ˜€Β it’s not often I find myself caught up in the moment – especially at a gig by a new band.

But last night’s brilliant performance by La Roux at Koko gave me goosebumps. Literally.

Now I won’t pretend it was just the band, as awesome as Elly Jackson and her crew were, it was also the crowd reaction.

We’ve all been there – a gig by our favourite artist, they strike up the first notes of a hit record and the place goes wild. Cue goosebumps.

But working in the industry allows me to get the jump on this sometimes and I find myself in that situation with, in the case of La Roux, a band that I’m seeing live for the first time.

When they started ‘In For The Kill’ I thought the roof was gonna come off of Koko. It brings home the effect of music – how a great tune can lift your mood and make the day seem ok.

It’s nice to feel that from a new band. Obviously I’ve been listening to the tracks we’ve had in the office for months so am familiar with them but this isn’t about that as much as it is about feeling that moment – the connection between artist and audience.

As for La Roux, I’ll be interested to see what the full album is like – her voice is astounding and even the tracks I didn’t know sounded good, which bodes well.

La Roux’s debut album is out at the end of June and the latest single ‘Bulletproof’ is out now, so check them out and see what you think.